I'm heading up to Hudson tomorrow to fold origami for kids. I'm not even sure how I got wrangled into this, I'm no expert. I can only do a crane and a few boxes, maybe a tulip. Tonight I'll try and learn how to do a bunny. This drawing is a nice break form all the intense painting I was doing on the Perry stuff.
The only problem with spending this much time on one models face, is now I have to make sure I put in equal (or at least equivalent) effort into the accompanying sketches. Oy. But I think I've gotten a more than decent portrait for the sketch. 5 minutes late to the posting, but hopefully worth it.
...wasn't his real name, but he posed under a pseudonym because he's got a career to worry about. I did a lot of drawings but need to photograph them better. This is one of my faves, a five minute quickie.
I kept specific people in mind but didn' necessarily attempt to make portraits loyal to the inspiration. I just let my ideas about their forms dictate how I try and render them. It made for more character than I think I would've have achieved if left to my own devices.
This quickly decided sketch is quickly becoming more fun to do. I suppose not caring as much about this particular pose has made me be much more experimental with how I render it, which is part of the fun.
I saw an artist's work on Instagram and his underpainting technique inspired me to do some of my own on this piece. I never learned how to paint properly (at least, I don't recall being taught in Art School) so much of what I do is instinctive or self-taught.
It's funny how after starting out really raw, you can keep refining what you once thought was a good likeness, and you increase that likeness with each improvement, and the more you improve, the less it seems like it's improving, lol